Posts tagged: trumpet

Why there is no Trumpeter’s Christmas!

Everyone knows the old stereotype of trumpeters being a bunch of attention-hungry adolescents who delight in lording their skill over each other by belting out borderline-obscene high notes. This elegant and reverent morsel of Christmas music will dispel that myth, once and for all. Or not. Click the “Play” (arrow) button below the picture to listen.

One way or another, folks, this will have you in tears.  :-)

Trumpet Fanfare

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

All the best to you and yours,
Kathy

P.S. – Mark wishes me to assure everyone that he not one of the musicians featured in this selection. Really.  ;-)

Share

Related Articles:

Play trumpet AND horn? Good advice for doubling

In an article about transposition that we published recently, I mentioned that a good friend of mine, a trumpet and horn player, had helped me a great deal when I resumed playing the trumpet after a 20-year hiatus. One of our loyal PTM readers contacted me and asked for a “patch through” in order to ask some questions, as he is attempting to pick up both horn and trumpet after several years away from both instruments. Since many people eventually decide to “double” on another instrument, I asked both gentlemen if I could publish an excerpt of their exchange for the benefit of others…and both agreed. See, the PTM crowd really is a generous bunch.  8-)

French Horn

The Players

Ken Bacorn is a returning musician, looking to pick up both horn and trumpet after roughly 15 years away from both. From my correspondence with Ken, I know him to be inquisitive and thoughtful; he’s asking the right questions to accomplish his goals. Ken, thanks for getting this excellent discussion started!

Steve Hamrick has an extensive background in music, plays numerous instruments exceptionally well (horn and trumpet top the list, but he is no stranger to guitar and piano!), conducts both instrumental and choral ensembles, and has several compositions and arrangements to his credit. Steve is the Director of Worship & Church Music for the Illinois Baptist State Association and can be reached by posting a comment here or directly via email. Steve is a phenomenal musician who is also a gracious human being, and I’m privileged to call him a good friend.

The Inquiry

Hi Steve,

I have recently decided to get back into music after being away for about 15 years. To make life more interesting, I decided to comeback on both the horn and trumpet. I was wondering if you would be willing to share with me some tips on playing both, and being proficient on both.

I guess I’m curious as to how much practice time you dedicate to the two different instruments. And, of course, I am looking for advice on mouthpieces. Do you use something that is similar for both instruments, or have you learned to use mouthpieces that are completely different?

I would greatly appreciate any insight you would be willing to offer. Thanks.

Ken Bacorn

The Response

Hi Ken,

Thanks for the note. Of course the standard answer from most teachers is that you shouldn’t do both, but I believe that it is possible on an intermediate to advanced level. I originally was a trumpet player that moved to the horn in the 9th grade because we didn’t have any horn players. I continued playing both instruments but focused on the horn through college and beyond. I continued to play trumpet in Jazz band and church throughout. I still enjoy playing both instruments regularly and on occasion play both in the same night for a gig. I have personally found it is a lot easier to go from the horn to the trumpet than the other way around. There is something about moving down to a smaller mouthpiece that is more difficult for me. Of course the down side is that you can’t always choose the order of the music. If I have to move from trumpet to horn in the same program, I will take the horn mouthpiece and buzz for as long as I have time to re-adjust my embouchure.

I do not try to find similar mouthpieces between the two instruments. I don’t think there is anything out there that is comparable anyway. The diameters are different, the rims are way different, and the cups are different as well. I really prefer a gold rim for slickness. I suggest you try several mouthpiece combos and see what combo works for you.

Also I make sure that the mouthpiece placement for each instrument remains standard. The trumpet should be played in the top half of the mouthpiece, while the horn needs to be played in the lower half of the mouthpiece. I have found that both rims sit about the same place on my top lip. I am sure this is helpful when switching between the two instruments.

For me, I always practice the horn first and the trumpet second, if I am going to play both during one gig. I will practice the horn or trumpet exclusively if I am only going to play one of the instruments. Often I am playing the horn during the week for an orchestra rehearsal, but then on Sunday I play my trumpet in church. I have never had any issue or difficulty if I am only playing one instrument per day. I can go back to the horn on Monday and it feels as it always has.

Tonguing and tone are harder on the horn than trumpet and the playing the upper octave of the trumpet in tune and accurately is the most difficult for me. So I practice accordingly. I work upper octave almost exclusively on the trumpet and work most of the basics on the horn. I am sure that has a lot to do with personal preference.

Lastly, get in a community group or church type group so you will have motivation to play. Lessons will force you to practice. Most people will do better with some accountability.

I had a professor tell me that even after 15 years, you will get back about 75% of your original proficiency back within two weeks. That last 25% and beyond will take a lot of work with daily practice required.

Hope this is helpful. It is not meant to be scientific but I have encouraged a lot of adults to pull the old horn out of the attic and join the local church or community band.

Blessings,
Steve

The Bottom Line

It is possible to learn, or re-learn, two instruments at once…but it isn’t easy. It can be done, though…and your rewards will correspond directly to your commitment. The above exchange wasn’t intended to be all-inclusive in terms of either topics or advice, and of course, situations vary…but it’s great advice for a great start for those looking to double on two brass instruments.

Have a comment? Post it! We all get smarter when we share what we know. Thanks to Ken and Steve for a great discussion and for allowing us all to benefit from it.

All the best,
Mark

Share

Related Articles:

Tage Larsen, CSO Trumpeter

Fellow trumpeter John Kool turned me onto a video of Tage Larsen, formerly of the St. Louis Symphony Orchestra and, since 2002, 4th trumpet with the Chicago Symphony Orchestra. If you haven’t seen this, you need to – regardless of your chosen instrument!

Mr. Larsen is an amazing trumpeter, and by all accounts, a genuinely decent human being. What does this have to do with you as a Part-Time Musician (PTM), you ask? If you really are asking that, you may want to re-watch the video! As Mr. Larsen states so well, playing music teaches you to strive for improvement in whatever you do; it encourages you to reach higher, regardless of what field you study or what instrument you play. Music helps you make yourself better. There are few other enjoyable pursuits that give you so much.

For those who would like to know more about Mr. Larsen, here is an audio interview done by Chicago Public Radio:

Tage Larsen

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Now, it’s time to go practice.  8-)  Until next time!

Keep playing,
Mark

Share

Related Articles:

PTMs in the news: Giants among us

It’s very difficult to categorize exactly what is meant by the term “Part-Time Musician”. Let’s take a look at one example and you’ll see what I mean.

Marcus BelgraveThis article about trumpet great Marcus Belgrave demonstrates in grand fashion that PTMs can’t be pigeonholed. Mr. Belgrave has played professionally, taught, mentored, and given of himself in more ways than can be listed. While the likelihood of me reaching the stature of Mr. Belgrave is slightly less than my being struck by lightning – say, two dozen times :-O – it doesn’t stop me from being encouraged by the example of someone who dedicated much of his time to other pursuits, yet is still regarded as a music-making giant.

The moral of the story: don’t underestimate the power (or dedication) of a “Part-Time Musician”! Hats off to Marcus Belgrave for his lifetime of achievements.

Keep playing,
Mark

Share

Related Articles:

Transposing for Trumpet: A Handy Reference

Several years ago, I resumed playing trumpet after about 20 years (!) away from the horn. As I’ve mentioned before, I was surprised at what I remembered…and also at what I had forgotten. I was never that good at transposition before, but upon returning to playing, it looked like a steep uphill climb.

TrumpeterAt that point, I worked through the basic concepts of it with a good friend and musician (horn/trumpet – thanks, Steve!) and found this helpful document online: Dr. Gary Wurtz’s Transposition Issues page. What a lifesaver! A printed copy of Dr. Wurtz’s transposition chart was a key part of my gear my first full season back with an orchestra.

I recently rediscovered that worn copy, and after finding its current home online, I’m sharing it with you in the hope that you might find it useful as well. If you’re returning to orchestral trumpeting after some time away, or if you just want to verify your grasp of transposition, this is a great document to have.

Transposition is a big subject that affects many instruments (and instrumentalists!), and this is only a small segment of that topic…but more is on the way! In the meantime, if you have anything you’d like to share about your transposition trials and triumphs, please post a comment or drop us a line! We’d love to hear from you.

Keep playing (in whatever key!),
Mark

Like what you see? Subscribe! We don’t spam you, and we don’t give out your email address to anyone. Period!

Share

Related Articles: