Posts tagged: review

Another Hercules in the House

When we needed a sturdy, portable music stand a few years ago, we bought a Hercules…folding music stand, that is. I’m a big fan of Manhassets when space is no issue (and we own several!), but when it just has to fold, Hercules is our stand of choice.

Another Hercules in the Family!

We needed another folding music stand recently when our family had to head in different directions to cover two gigs at once, and I didn’t even think twice before buying another Hercules BS100B. I wrote about the first one in this linked article, and it continues to serve us well. Many stands lose their ability to stay positioned correctly with age – if they ever were able to do so in the first place – but the little Herc does so without complaint. Bad stands can ruin a gig, while good stands do their job so well they may as well be invisible. That’s the BS100B.

One piece of advice: the EZ Glide locking mechanism takes a bit of getting used to, as initially it seems to be either too “sticky” or too loose. Just like my car’s AC, though, eventually I got it adjusted to “just right”…and I’ve pretty much ignored it ever since.

If you’re looking for an excellent folding music stand, check it out. Many places carry them, including Amazon, Musician’s Friend, and our advertising friends at Guitar Center (please see ad in right column). I hope it works for you as well as they have for us!

Keep playing,
Mark

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Recording Gear Review: MXL V63M Studio Mic

We recently had the opportunity to record an audition CD of our youngest, playing violin, for a nationally-known summer music camp. In preparation for said audition, I pulled out our trusty Fostex portable studio, mics, and other necessaries and packed them for the trek to a local chapel with wonderful acoustics. I thought all was ready only until we arrived.

Once there, I was given some excellent advice by someone who really, really knows sound…along with the use of a mic that made our current mic setup seem rather sad. This was way, way past equipment envy; it was clear an upgrade in our personal recording arsenal was in order. Which brings us to this article.  :-)

Let me first state for the record that I’m not a sound/recording engineer. I know just enough to be dangerous, making clean, passable recordings for personal use, audition CDs, and limited distribution runs of our family’s musical treasures. But having played trumpet for years and having a house full of violinists, I can say that I have a good ear…and I’m a life-long technologist to boot. Dangerous, yes…but not completely devoid of clue.  ;-)

My quest for a mic similar to the one we used for the recording led me to the MXL V63M, an omni-directional mic available from Musician’s Friend and other fine musical gear establishments. It’s pictured in all its beauty below.

MXL V63M Studio Microphone

MXL V63M Studio Microphone

The V63M comes with a shock mount and a regular mount, along with a nice synthetic leather zippered carrying case. It looks nice, has a reassuring heft to it, and gives every indication of a mic that means business.

I won’t go into tech specs, as they’re available on the vendors’ sites. What I will tell you is how it performs: magnificently.

After unboxing the mic and attaching the fixed mount to it, I spun it onto the mic stand, hooked up the cable to mic and studio, and…nothing. This mic (like many others) requires phantom power to drive it, but a couple of button punches later and we were in business. The sound was full, rich, and powerful through the new Sony headphones (which will be reviewed in a subsequent article, I promise)…but I’ll admit I was curious to know how it would sound after the track bouncing, conversion, CD-burning, and all of the other magic that enters the picture between giving the “go” signal to the performer and handing off the CD.

I baselined this mic against a setup with one of our Shure-clone studio mics, then again with two mics positioned strategically for best sound (our usual configuration). I ran multiple recording passes with the same instrumentalist playing the same pieces in the same room. After all, how can you gauge performance without a good baseline?

The verdict? Jaw-droppingly clear and ringing sound make the V63M a must-have, in my opinion. And at the amazing price we paid of $69.99 – yes, you read that right – my deepest regret is that we didn’t buy this mic years ago. Better late than never, I suppose, but if only…

If you’re in the market for a great mic, you owe it to yourself to check this one out. Between the quality and the price, you’d be very hard pressed indeed to beat it.

And if you are going to be in the market, please consider visiting the Musician’s Friend site by way of the ad link to the right. Doing so helps support your PartTimeMusician.com site and still nets you the same great price from our friends at MF! Just click the ad, type V63M into the search box, and check it out yourself. But whether you buy from MF or not, whether you go through PTM or not, you owe it to yourself to check out this mic. It’s a keeper.  :-)

All the best,
Mark

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Church Music Resources for Part-Time Musicians

When I received this review of the Lifeway Worship Project from long-time friend and PartTimeMusician.com contributor Steve Hamrick, I knew several of our readers would love to see it. If you play music in church on a regular basis, or even on special occasions, this could be a great help. Resources like this enable us prepare better, play better, and generally make life better for musician and listener alike.  :-)  Steve, thank you for passing this along!

Keep playing,
Mark

Bass In Church

Church Music Resources
A Review of the Lifeway Worship Project

Many of the readers of PartTimeMusician.com are involved with music in some church-related capacity.  Regardless of denomination and size of church, there are many challenges we all share in finding new, reasonably-priced musical resources for our church programs.  Serving as a worship minister for many years in the local church and for the past several years as a state music director for a major evangelical denomination has given me an opportunity to see the struggles of churches in finding things like new hymns, praise songs, instrumental accompaniments, accompaniment tracks, and new choir music.  While there are many publishing companies that provide quarterly resources through choral clubs, I haven’t found they are too helpful in providing music for congregational worship. And what if you serve in a small church with no pianist or organist, or perhaps the only one who plays is sick or on vacation?  What do you do then?

I would like to tell you about a product that I have used for over a year that has helped me more than any other single resource for congregational worship, the Lifeway Worship Project. I should say that this company does not pay me nor am I representing them in this article, although I have been privileged to visit their headquarters in Nashville and know many of those who have developed this product.

It must be a real challenge for church music publishers to provide music for such a varied audience.  Some churches sing hymns, others sing contemporary praise songs, many use a blended approach while yet others prefer a southern gospel or country style of music. Church music programs are often accompanied by a full orchestra; others, a praise band, organ, piano, guitar, or perhaps they have no accompanist at all. To provide a single resource to meet these vast needs would be a seemingly impossible task.

When the Lifeway Christian Resource Company was in the process of producing a new hymnal a couple of years ago, the realization came to surface that in our digital society, a hymn book was out of date before it could even be printed. As a result, they decided that alongside the new hymnal, they would produce an online resource in which they could add new songs and arrangements as necessary.  Lifeway took on an enormous task of developing an online and hard-copy product that included arrangements of all the 650 songs in the printed hymnal plus 250 additional new songs and optional arrangements.  Here’s where it gets interesting.

Lifewayworship.com decided to not only to make the SATB arrangements of the hymnal available online, but the following parts may be downloaded a la carte: extended piano accompaniment, organ, vocals, full orchestra, individual instrumental parts, lead sheets, praise band charts, chord charts, PowerPoint files, and even Finale™ parts.  If that wasn’t cool enough, with the finest session players in Nashville, Lifeway recorded MP3′s of every song in the project. Each song can be downloaded as a listening track, a split track (accompaniment on one side and vocals on the other), or a stereo accompaniment track, sometimes in multiple keys.  The hymns are recorded with full orchestra and the praise songs are recorded with praise band instrumentation.  The accompaniment tracks are extremely helpful for soloists, small groups, or choir.   The tracks make a great option for the church with no accompanist. Lifewayworship.com decided to price their products similar to the iTunes Store®.  With no monthly membership fees, downloads range from $.10 to $1.99 each.

Wait, there’s more.  Because every soloist and worship leader doesn’t always want to perform every verse, Lifewayworship.com allows you to make a Songmap of many of the songs in the project.  A songmap allows you to make your own arrangements of the hymns and praise tunes.  Do you think an arrangement has too much repetition? Just cut out the extra parts. Need it in a lower key? Most songs are available in several keys. What is amazing is that Songmap will provide you with an accompaniment track, printed music, and even orchestral parts exactly to your specifications for your arrangement.

Another neat feature of the Lifeway Worship Project is that it saves your downloads on their database. This means that when you download a song to your computer, you will also have it stored on-line where you may access your library at anytime from any computer as long as you have internet access. Of course, there are copyright restrictions by which you must abide.  Almost all the products you can download are also available as hard copies on DVD/CD. There are also some excellent video accompaniment tracks for praise songs and hymns.  The Lifeway Worship Project also produces moving and still backgrounds for media projection software.

You can listen to every song in the project by clicking on this link. Go to the middle of the page where there is a box labeled “Play the Lifeway Worship Project,” scroll to the song you want, and hit play. You can also hear snippets of any song from the main Lifewayworship.com when you type a song in the “find and buy” box. You can also preview pdf’s of every printed arrangement before you commit to purchase anything.  Another neat feature is that in the “find and buy” box, you may also type in a subject, scripture, or author and get results of your search.  You do not pay for anything until you check out so I encourage you to experiment within the site. There is also a basic free worship planning tool called Worshipmap, and an advance worship planning tool called WorshipmapPro which has a yearly subscription.  The Lifeway site sometimes is slow and accessing it from a fast internet connection is advised.

While you will not find every hymn or praise song from every denomination, you will find over 1000 songs written in terrific arrangements to use in your church.  Sign up yourself or your church for free and then give it a try.

Steve Hamrick is a regular reader of PartTimeMusician.com and currently serves as the director of Worship and Church Music for the Illinois Baptist State Association, Springfield, Illinois. He can be reached via email or at his website.

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Review: Mel Bay’s Easiest Fiddling Book

Last month, guest contributor Michael Henderson shared his review of Clayton Haslop’s Beginner’s Circle DVD Course with the PartTimeMusician.com family. This month, Mike has generously agreed to share his first-hand account of Mel Bay’s Easiest Fiddling Book. Enjoy!

All the best,
Mark

Mel Bay's Easiest Fiddling BookMel Bay’s Easiest Fiddling Book: A Review

Mel Bay’s Easiest Fiddling Book by Craig Duncan retails for $14.95 with the CD. It contains 23 songs arranged from easiest to hardest, starting with Liza Jane and progressing to Rubber Dolly. Along the way you’ll encounter Oh Susanna, Shortnin’ Bread, Buffalo Gals, and Swing Low, Sweet Chariot. It contains fingering charts for each tune to allow beginners who do not know how to read music to begin playing immediately.

All of the tunes are arranged in 1st position and are in the keys of Amaj, Dmaj, and Gmaj. Most of the songs are in 2/4 time. None of the songs have complicated fingerings. All of them were pretty easy to play with the left hand, partly because the G string isn’t used by any of the tunes.

A couple of paragraphs in the introduction explains the scheme for the fingering charts. The charts use a shorthand notation to indicate the string to play and the finger to place for the note. The notation uses dashes to indicate a longer duration for a note. I found this approach a bit confusing at first. I had to compare the letters and numbers to the score carefully to understand it. Once I did, though, I concluded that it would likely work for a new player to find the notes. The scheme falls short of my expectations, though, because it doesn’t address the rhythm of the pieces. For example, there’s no way to capture the difference between a quarter note and a dotted quarter note.

After playing through the book, I didn’t find the choice of songs very interesting. I had high expectations because when I was looking at the book in the store, I recognized most of the songs in the book. A few of them (Swing Low, Sweet Chariot and Oh, Lord) were in my want list. Additionally, it had Oh, Susanna, Simple Gifts and Shortnin’ Bread. That made it seem like a good choice at the time. As I played through it, though, I found that most of the songs just weren’t that interesting.

My impression is that the book does not live up to the title of “easiest” and that it is not a good value. I was surprised that the author slipped accidentals into the second song in the book (Old Joe Clark). The fingering scheme has some shortcomings. The selection of songs is somewhat stale. There are a couple of songs that might have been interesting to play but overall, they’re kind of boring.

Finally, I should admit that I did not listen to the accompanying CD because I plan to return this book as soon as possible.

Michael Henderson is, in his own words, a “middle-aged adult who lives in Denver and started learning to play the violin in November of 2008″. He’s also a really decent guy. 8-) If you’d like to leave him a note, please do so in the comment box below.

This review is provided for informational purposes only; your mileage may vary. For more information on Mel Bay products, please visit the Mel Bay website.

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Review: Clayton Haslop’s Violin Mastery DVD course

I received this excellent review of Clayton Haslop’s Violin Mastery instructional course and knew that any Part-Time Musicians (PTMs) looking to learn the basics (or more!) of playing the violin could benefit from reading it. The author, Michael Henderson, graciously agreed to share it with the rest of the PTM readership (thanks, Mike!). So, without further ado, here’s the review!

Keep playing,
Mark

Clayton Haslop

Clayton Haslop

The Beginner’s Circle DVD Course by Clayton Haslop: A Review

I’m not sure how I first stumbled across Haslop’s web-site. I subscribed to his e-mails and really enjoyed his writing style. When the lessons went on sale in June, I decided to buy the beginner’s lessons. I’ve gone through the first two months (just starting month 3).

First, my background. I started taking violin lessons with an instructor in November, 2008. I go in once a week for 0.5 to 0.75 hours. I try to practice about 5 hours a week, usually end up getting in 1 to 2 hours in 15 to 20 minute chunks.

I put the order in around June 30th. The ordering was hassle free. I received an e-mail:

Welcome to the Violin Mastery Beginners Circle.
Start checking your mailbox for exclusive instructional
DVDs, written music, notes and lessons. You’ll also
receive my “Members Only” e-newsletter of special tips
just for the Beginners Circle.

The web site also says “from time to time I will include additional surprise Bonus DVDs in your monthly package.”

There was some delay getting the DVDs. Haslop sent out a note that he was switching to a new fulfiller. They ended up sending them priority mail, so I had the set in my hand within two weeks of them charging my credit card.

I received a binder with the entire year’s sessions. It contained 13 DVDs, 1 CD, and 12 tabbed sections of printed materials (plus a coversheet). Everything looked like it was put together by a small company. For example, month 7 has the wrong label on the DVD. It is titled “Allegro Players” but that’s marked out with a Sharpie and “Beginners Circle” is written by hand.

In the three months since I purchased this, I’ve never received a “members only” e-newsletter of special tips. The only e-mails that I’ve received are the ones that go to his generic mailing list. Also, no surprise bonus DVDs.

The printed materials aren’t high quality. They look like they’re copies of copies.

The CD contained the accompaniments. There are six songs. The quality is good. I can clearly hear the piano and there’s no distracting background noise. The tempo, though, is way too fast for me to keep up. Maybe that is a good thing since I’ll have something to shoot for. There’s a click track on some of the tracks. I like that since it helps me count.

One of the DVDs is the “bonus” disc. It contains some information on tuning. Most of it I was familiar with since I’ve had lessons. I think that the information was basic enough that if I were just starting out, I would learn something from it.

The remainder is one DVD per month. To verify the quality, I watched the first 4 discs in succession. There’s a problem with the microphone booming. It’s not bad, though. And it doesn’t detract from the sound of the violin. The picture sometimes had the Jell-O effect – if Haslop moved quickly from side to side, he sort of stretched. A little distracting at first but easily ignored.

Haslop starts out in week 1 of the first month with an emphasis on breathing and relaxing and stretching. Then he gets into the bow hold and the bowing motion. He does a good job of remembering that he’s in front of the camera and moving around to show what he’s doing. I did the breathing exercises and tried the stretches. I enjoyed his discussion about the hold, though.

The remaining lessons in Month 1 are pretty basic. The binder has little written material to back up the lessons. There’s a single piece of sheet music with half- and whole-notes on the open strings. I tried to follow through with them but they were boring.

Month 2 focuses on the tone and theory. He discusses note values and demonstrates rhythm. I have to say that I like his method of remaining conscious of breathing and using breathing to help with rhythm.

This month has interesting music. The theme to Ode to Joy is one of my favorites. He also includes a theme from Brahms, Joy to the World and My Country ’tis of Thee. The pieces are in a variety of keys (Gmaj, Dmaj, Cmaj and Fmaj). About what I’ve encountered in 8 months of private lessons.

I think that he did a good job of pacing and setting the tempo. I could follow along easily.

Unfortunately, the sheet music is handwritten. That made it tough to read. I spent a couple of hours putting it into Finale Notepad.

The 3rd month starts with scales and arpeggios. In the first session, he covers the Amaj in two octaves in first position. He starts with A, then slides the finger back to G#, then continues with the rest of the scale. I thought that this exercise was great because I’d been having trouble moving that first finger.

I noticed something as I started the third month. My ear is picking up the differences in pitch between his instrument and mine much better than when I started. As I’ve been playing along on the scales, I’ve actually been able to hear that difference and adjust. I believe that is because he starts out so slowly. I have the time to catch up and correct each note. For a beginner, that’s really important.

I think that this may be one thing that the DVD has over a lesson. When I’m at a lesson, my teacher is giving me hints about the pitch (“you’re sharp, you’re flat”) and I correct. At the lesson, I tend to rely on her to do that. With the DVD, I am forced to listen to my pitch. That may be what’s helping me most.

So, after three months I would give this 3 stars out of 5. The pros are that the content is good, Haslop is a good communicator (his explanations are helpful) and the music choice is interesting and challenging. To me, it’s a plus to be able to throw a disc into the player when I have some time.

The cons are that the production values don’t make a good impression and sometimes Haslop forgets that he’s talking to a camera. Fortunately, neither of these are really serious issues – so far, anyway.

Finally, I should say that I’m happy that I bought this when it was on sale. I can say that, for the first three months at least, some of the stuff is “old hat” and some is new. All in all, I think that I’ve learned good things from it.

Michael Henderson is, in his own words, a “middle-aged adult who lives in Denver and started learning to play the violin in November of 2008″. He’s also a really decent guy. 8-) If you’d like to leave him a note, please do so in the comment box below.

For more information on Clayton Haslop’s DVD courses, please visit his site at ViolinMastery.com.

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