Posts tagged: musical

Musical Stylin’

I was sent this video by a friend (thanks, Augie!) and just had to share it. While there are various styles of music, and we typically favor one (or a few) above the rest, this group demonstrates in a fun-yet-very-impressive way that they really aren’t as far removed from each other as we might think.

I’d never actually heard of this group before, but I’m told they may have played here on a recent tour of the US. You can be sure I’ll try to catch them on their next trip across the pond!

If you get a chance to see the MozART Group – or any other live music, for that matter – by all means, do so! There is much to be said for a live performance in terms of ideas and inspiration, and it keeps the music flowing – both for the artist(s) you’re seeing and for you as well! Until then, there’s always YouTube.  :-)

Keep playing,
Mark

For more information about the MozART Group, please visit their website here: The MozART Group.

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Apple iPad as Musical Instrument

As someone who loves both traditional music and technology, I’m excited to see something really bridge the gap…rather than replace active performing with MP3s.  :-|

This video gives an example of what is already possible – and hints at what soon will be – with a 100% technology-based instrument. Interesting that it is accordion-like, using the left hand to “button-push” chords…while using strings (vs. piano keys) for the left. While the video doesn’t show it, I suspect you could also run the headphone output to an amp as well.

Something to think about, and maybe play. If I can find out more from the good folks at Amidio, developers of OMGuitar, I’ll pass it along. In the meantime, whatever you play, keep playing it.  :-)

All the best,
Mark

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Musical diversity produces musical “freshness”

A recently-published interview with frontman/bassist Sting (Gordon Sumner) of The Police caught my attention. In short, he stated that today’s music is growing stale due to a lack of fresh inputs.

In a textbook example of “wisdom is wherever you find it”, the interview in People magazine offers Sting the opportunity to highlight this problem – and point to its solution, really – with jarring clarity. Below are some short excerpts from the interview:

“I was fortunate growing up in the ’60s because in England we only had one radio station. We had classical music, we had pop music, we had everything in between,” he says of the station’s rotation. “So I grew up thinking that music was this one thing. I mean, I appreciated the difference between classical music and pop music, but it’s the same building blocks and it still has the same feeling to it. It’s a common language.”

[Sting and wife, Trudie Styler] also spoke of their appreciation for classical music and Sting emphasized the need to look back at the roots of music, especially in today’s crowded industry.

“When I listen to composers, like, say, Bach, it’s almost as though they’ve discovered a new continent and everything of their focus was brand new,” he said. “Now everything has been discovered and covered with roads and railroads and airplanes, and you probably can’t find a piece of territory that hasn’t been touched before.”

Sting’s primary point, if I may paraphrase, is that we often lock ourselves into one particular genre of music and play it to death…and music as a whole suffers for it. While musical styles and interpretations of those styles vary widely, much is shared; and just as cross-pollination can produce stronger plants, exposing yourself to a variety of musical influences makes you better musically, whether you are a performer, a composer, or “just” an appreciative listener!

For more information on this topic, check out the Sting interview…and for more information about Sting himself and the topic of musical cross-pollination, here are a couple of useful references:

Sting (Gordon Sumner)
Dvorak’s Symphony No. 9, influenced by Native American and African-American music

More great examples exist, of course…but that’s a topic for another day. Now, do yourself and your music a favor and broaden your horizons! You’ll be glad you did.  :-)

All the best,
Mark

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BandsInTown helps locate live performances

In a recent article. we discussed the benefits of seeing a live performance. Since then, I’ve discovered something that makes locating a live performance much easier.

BandsInTown allows you to check what live musical performances are coming soon to your area. If you give it some insights into your listening habits, it can even tailor the list to show only those groups similar to your tastes. If you see something you like, you can purchase tickets immediately – while you have the information handy.

Available via the web and as an iPhone application, BandsInTown is a great idea in either format…but where it really shines is as a portable application. Away from home on business? On vacation and find yourself with a free evening? Just fire up BandsInTown, plug in your location (or allow it to reference your GPS coordinates if you wish), and you’ll get a nice list of your live music performance options. If you want to “thin the herd” a bit, you can allow the application to peruse the music files on your iPhone; it quickly narrows the list to only those performers whose styles align with your preferences.

My “Two-Minute Takeaway” on BandsInTown

Pros
  1. Easy to use
  2. Provides a great selection of performances
  3. Ability to use current location for best results
  4. Distance to search from current location is customizable
  5. Ability to use your music library (if you let it) to narrow choices for you
  6. Can buy tickets immediately if you choose
  7. Can track artists/groups
Cons
  1. Privacy concerns
  2. Apparently no classical venues/performances at this point

Bottom Line

I don’t keep a lot of music on my iPhone, as most of my music still resides on my original iPod. As such, results will almost certainly be better with a better set of inputs for BandsInTown to consider. Even with limited inputs, it’s impressive on the iPhone, and the website is very nice, too. Privacy concerns can be reduced by limiting access to your music library (via iTunes, Pandora, or Last.fm) and/or exact location. If you’re looking for a live performance to boost your mood, pick up technique, or just absorb the music, BandsInTown may be just the ticket.

Keep playing,
Mark

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Flying with a Musical Instrument: And Another Thing…

Our recent article about flying with a musical instrument drew a lot of responses and some great added advice from our ever-resourceful readers. While the initial list was limited to seven tips in order to focus solely upon the key points, here are a few more things that are good to know when preparing for a flight.

Airliner Landing

Thing 1: Oils, greases, and sprays belong in a bag

If your instrument requires liquids or semi-liquids to operate, those items must be in a clear plastic bag…just like your shampoo and toothpaste. Having your valve oil, slide or cork grease, and slide lubricants in a clear plastic bag makes life easier for those screening baggage and helps make the process go more smoothly for everyone.

Thing 2: Be ready to perform

Airport security personnel are trained to be suspicious, and that is a good thing. They may ask you to demonstrate that your instrument really is an instrument and that you really are a musician. To avoid uncomfortable moments, have something in mind that you can play “on command” to demonstrate that all really is as it seems.

Whatever you play doesn’t have to be fancy, and you shouldn’t get nervous about it. Look at it as a chance to show off that fun little piece you secretly delight in playing at the end of your practice sessions. No one expects you to be a Perlman, Marsalis, or Van Halen; just have fun with it! And once the applause dies down, put it quietly back into the case. No encores.  :-)

Thing 3: Sending it ahead might be a good idea

Another option for flying with your instrument is to avoid it entirely. In some cases, it makes sense to send your gear ahead via private carrier. If you absolutely must have your valuable cello or guitar with you at your destination, this provides a way to skip all worries of your baby being “bumped” to the cargo hold. Compared to the cost of buying a ticket for your larger instrument, it can also be a cost-effective alternative. (NOTE: Pack properly and purchase insurance if you choose this option…just in case.)

Thing 4: Ask the attendant to stow your instrument behind the cockpit

Most planes have a small storage closet, specifically for bulkier items, located just behind the cockpit. A kind attendant often will offer to stow your instrument there if room is still available, but don’t be afraid to ask if no one thinks to volunteer it. This is the best of both worlds: your instrument is in the cabin, but it’s safely stored out of your way for the duration of the flight.

Thing 5: In case of emergency, appeal to the Captain

The word is that the pilot has final say on what stays in the cabin and what goes. If a flight attendant insists that the instrument for which you bought a seat must now be moved to the cargo hold – and just won’t have it any other way – politely ask to speak with the Captain. No one wants to delay a flight, and pilots often are more accommodating than well-meaning, but often passenger-stressed, attendants. Give the attendant a break and plead your case with the final (flight) authority prior to taking any further steps.

Thing 6: The case must go

If the pilot says your instrument must move to cargo, there may yet be hope. More than one reader reported that they were allowed to remove their instrument from its bulky case and send the case to the cargo hold sans instrument. Wrapping their instrument in a T-shirt, jacket, or cloth bag and placing it under their seat resolved the situation to everyone’s satisfaction. (NOTE: This only works for smaller instruments, and only then if pilot/attendants agree that the carry-on/instrument doesn’t have to fit completely under the seat.)

Thing 7: Plan for the worst…but it probably won’t happen

All of the initial Top 7 Tips and these “other things” assume the worst because it pays to be prepared. In all likelihood, however, you will have a smooth and pleasant, incident-free flight…especially if you are prepared. Do your homework, and be ready with polite responses and maybe even a short selection – but don’t stress over it. The earlier advice still holds: plan well, pack well, and play well.  :-)

Have a comment? Please leave one below, or email us! We’d love to hear from you.

Keep playing (and flying!),
Mark

Acknowledgements

A tip of the hat goes to the following PTM readers who provided many of the above points: Jeff Helgesen, Ellis Workman, Dr. James Klages, Denny Schreffler, Ann Frederking, and Virginia “Ginger” Lawrence. Thanks to all!

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