Three Secrets to Enjoy Practicing!

This article introduces new PartTimeMusician.com writer JP Montgomery. JP is a guitarist/bassist who will be contributing from time to time on a variety of subjects. JP’s hobbies include playing music, listening to music, and hanging out with his girlfriend…but not necessarily in that order.  :-)

Sitting alone in a room with the door closed and drilling all-too-familiar exercises is no fun for anyone. When I started playing guitar (and later, bass), I wanted to get rolling as quickly as possible. Who doesn’t?!? And once I got to a basic level of playing competence…well, I still didn’t want to waste a lot of time with boring exercises. Here’s what I do.

Warm Up with Scales

Well, that sounds boring, doesn’t it? You have to know the notes, but playing them doesn’t have to be a drudge! Add some pep to it, change up the rhythms, slur (winds), run patterns of notes, etc. Mix it up! This gets you warmed up, reinforces your scales in your head, and keeps things from getting lame.  :-)

Play some Challenging Music

After you’re warmed up, grab some challenging music from your stack and get busy. Whether it’s new music (for sight-reading, technique development, etc.) or just a piece you’ve been working on that remains just outside of your reach, this is the time to tackle it. Push yourself, but have fun with it. Work on that new chord, practice the riff your favorite lead player or bassist throws in during the best part of your favorite song, or whatever. Imagine yourself playing it for your buddies next week – that always gets me going!

Grab some TABs, Plug in the Tunes, and PLAY!

This is the dessert portion of the practice session. Plug your iPod into your amp via Line In (Editor’s note: See earlier article Really USE your practice amp for tips on this, especially if your amp doesn’t have a dedicated Line In plug), grab some tablature or sheet music, and just kick it! If you know the music well, experiment (remember those grooves we were talking about earlier?). If it’s a new piece you’ve been dying to play, just work your way into it and live in the moment! There is just something about playing along with your favorite artist/group that really gets the juices going. In fact, you may have to make yourself put down the axe once you’ve gotten to this point!

Simple as it is, it keeps me driving forward. Give it a try! Life doesn’t always have to be hard, you know.  :-)

Peace,
JP

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United States Marine…and Part-Time Musician!

In yet another great example of a day job supporting a playing addiction, I ran across this newsworthy item about a Marine who lives to play. He’s done it all his life, and he intends to do it long after he retires. I’d like to introduce you to Gunnery Sergeant Clinton W. Walker.

In this linked article, Gunny Walker tells of a musical path of discovery that has lasted years and been an integral part of his life. While each of us finds our passion at different times, it’s an unmistakable event when we are actually “bitten by the bug”. It’s also very clear that we’ll never really be able to get over it, regardless of how many times we try to put down the instrument(s). Walker tried – twice – but returned to his playing addiction with a vengeance, at the insistence of his wife. He was driving everyone nuts.  :-)

In all things, balance…but there should always be room for music. Play on, and SEMPER FI!

All the best,
Mark

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Joke of the Day: Drowning bassists

As a bassist, I find bass jokes particularly funny. That’s because they’re talking about those other bassists, of course. So, in honor of all those other bassists… 

Q: What should you do when you come across a drowning bass player?
A: Throw him his amp!

Keep playing (and smiling),
Mark

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Citation/ticket for bass players

As a bassist, this one was just too good to pass up. Feel free to share with your bass-playing friends, as all bassists (by nature) have great senses of humor. We have to; we hang with drummers. 

All the best,
Mark

BASS PLAYER OFFENSES

NAME OF OFFENDER – ___________________________
INFRACTION DATE – _____________________________

MUSICAL OFFENSES FINE

[ ]Playing loudly during warm up $10
[ ]Sound-checking amp with funk slapping $25
[ ]Loud cursing after mistake $10
[ ]Playing high and fast after mistake $20
[ ]Practicing 2-handed tapping between tunes $20
[ ]Asking for “E” tuning note $25
[ ]Playing E anyway when horns tune to Bb $50
[ ]Playing written-out walking line $50
[ ]Failure to play written walking line $75
[ ]Writing note names over ledger-line notes $50
[ ]Writing beat numbers under dotted figures $50
[ ]Playing eighth notes $5 each
[ ]Playing sixteenth notes $10 each
[ ]Playing above 1st octave immediate dismissal
[ ]Dragging fast tempo $75
[ ]Dragging ballad tempo $100
[ ]Blacking out during ballad $200
[ ]Ignoring drummer’s tempo $100
[ ]Following drummer’s tempo $250
[ ]Asking to borrow Real Book for All Of Me $1000

UPRIGHT PLAYERS

[ ]Showing up before first downbeat $25
[ ]Playing audibly $25
[ ]Faking changes $25
[ ]Slapping $150
[ ]Missing tutti lick, then mentioning vintage of bass $25
[ ]Excessive sweating $25
[ ]Pedal point double-stops during horn solo $50
[ ]Asking leader for a solo $30
[ ]Accepting solo when offered $50
[ ]Taking second chorus $100
[ ]Playing solo arco $400
[ ]Pretending to check tuning after playing out of tune $100
[ ]Playing “A Train” ending on every tune $200
[ ]Playing extended “A Train” ending on every tune $500

ELECTRIC PLAYERS

[ ]Checking hair between tunes $15
[ ]Experimenting with odd meters $25
[ ]Missing root at end of blistering fill $25
[ ]Playing with a pick $50
[ ]Tuning during ballad $30
[ ]Playing Jaco groove on samba $75
[ ]Playing Jaco samba groove on ballad $150
[ ]Attempting last word on final chord $50
[ ]Achieving last word on final chord $100
[ ]Long gliss down to final note $200

EQUIPMENT VIOLATIONS – ELECTRIC

[ ]Forgetting strap $10
[ ]Changing strings after every set $15
[ ]Using electric tuner $15
[ ]Setting up mic “just in case” $75
[ ]Forgetting to turn amp on $40
[ ]Bringing amp larger than 1 person can carry in 1 trip $50
[ ]Asking horn player for help moving amp $25
[ ]Bringing custom-made bass $100 per string above 4
[ ]Bringing more than 1 bass $100 per extra bass
[ ]Skull decals on bass $150
[ ]Bringing fretless bass $500

CRIMINAL BAD TASTE

[ ]Telling bone player about all the gigs you get $10
[ ]Asking bone player about their day gig $10
[ ]Sitting behind drums on break $10
[ ]Quoting “Birdland” $25
[ ]Practicing scales during break $25
[ ]Practicing scales during drum solo $50
[ ]Practicing $150
[ ]Beginning a sentence with “When I was a guitar player…” $50
[ ]Casually mentioning to Musical Director of cheap theater that you are “into sequencing” $10

BASIC STUPIDITY

[ ]Wearing old Buddy Rich tour shirt $10
[ ]Wearing new Whitesnake tour shirt $20
[ ]Asking when the rock set starts $20
[ ]Continually asking “where are we?” $25
[ ]Continually shouting “Yeah!” $25
[ ]Asking bone player where “1″ is $50
[ ]Taking cellphone call during 4′s $100

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YouTube for musicians: equipment setup

This is the second in a series of articles about using YouTube to accomplish your goals as a musician. Many of these goals overlap, but today, we’ll try to keep our focus to using YouTube as a reference for working with (e.g. setting up, maintaining) your equipment.

Even with the numerous demands on our time, I firmly believe that becoming a “good musician” (whatever your definition) is more attainable now than it ever has been. Many factors contribute to this, including the widespread availability of good, reasonably-priced instruments…and the wealth of knowledge available to those who want/need it. While finding it can be a problem – as can distinguishing the good from the bad, just as with the instruments themselves at times – help is available on almost any topic imaginable. One of the best sources is YouTube.

Adjusting Intonation

This article addresses the guitar family, but rest assured it applies to all instruments. For today, though, our fretted friends offer the perfect example.

New or used, cheap or expensive, rare is the electric guitar (or bass) that makes its way into your hands with perfect intonation. While relief and pickup adjustments can be very helpful, I would suggest that adjusting your guitar’s intonation may be the single best (free) thing you can do for your overall sound quality.

Several years ago, I bought an inexpensive guitar pack to play around with. The bundled guitar was a cheap Strat knock-off, and while my expectations weren’t high, the guitar just was never “right”. The tuner would show that every string was in tune, but when you played a chord, it didn’t quite sound that way. Since I played only acoustic/classical guitar to that point and had always taken any problems to the shop for resolution, that’s what I did this time as well.

The tech was helpful, and he took a quick stab at adjusting the intonation. Although he didn’t make any noticeable improvement, he did encourage me to give it a try myself. So back home I went…and the first thing I did was pull up YouTube. Eventually, I found the video below, and (adopting dramatic voice) it changed my life. 

I sat down one evening and tinkered with the poor, cheap Stratocopy until it sounded like a real guitar. I was amazed at the difference! No, this simple procedure won’t transform a dime-store instrument into a mega-axe, but it just might make your beater a useful music-maker. The Strat that had collected dust for months (years?) now sees regular use and is a real joy to play.

After the success with the little Stratocopy, I turned my attention to my favorite bass. It had always sounded good, but with a little intonation TLC, it sounded even better. Again, rare is the gear that couldn’t benefit from a little attention! A word of warning: the more intonation adjustments you do, the better you get at doing them…and the more you crave the results.

For those Part-Time Musicians (PTMs) who don’t play guitar or bass, you (and your instrument/equipment) can still benefit from a little YouTubing. In future articles, I plan to address helpful videos for everything from woodwinds to pianos, brass to fine strings. Whatever you play, it’s very likely that something is in there for you. Finding it is the challenge. 

Keep playing,
Mark

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