Category: Learning

Music training boosts learning

This study has gotten a lot of coverage lately, and at the risk of “piling on”, I wanted to offer a few tidbits that seem to be missing from the discussion.

In the latest article I saw about NU’s findings, published in the article Music can boost language skills, they offer the following conclusions:

“But Kraus said currently what is known about the benefits of music training on sensory processing beyond that involved in musical performance is largely derived from studying those who are fortunate enough to afford such training.

The researchers concluded that there needed to be a serious investment of resources into music training in schools accompanied with rigorous examinations of the effects of such instruction on listening, learning, memory, attention and literacy skills.”

Where to start…  :-)

First, I fully believe that during many (if not most) rounds of budget cuts in any school district, music education gets short shrift. Unfortunate? Yes. Unfair? Absolutely. Can it be fixed? Yes…but it’s not going to happen on its own, or by accident. Until music parents support the music programs with the same energy that sports parents bring to their programs – in terms of time, commitment, and monetary investment – the music department continue to be seen as an easier target. Yes, we’re all busy, and studies like this do help; but pointing to a study and wishing our music teachers “good luck” won’t change anything.

Second, the conclusion as published in the linked article above indicates that only the wealthy are beneficiaries of music training because of its expense. This should never be the case.

Our family certainly is not wealthy, but music training has always been a priority in our house. Why? Because of the values it brings to a developing child (focus, discipline, teamwork, etc.), of course…but also because it enriches lives throughout those lives. Musical training develops a talent that can be used at 8 or 80, and “sacrificing” a temporary thing for a lifelong gift to our children always seemed like a wise investment to us.

The idea that musical training has to be expensive is also a fallacy. How many stories of pop icons have you heard in which the story begins with “my grandfather gave me this old guitar/violin/piano and I taught myself how to play”? The field of music is diverse, and each area carries different hurdles; but even in the classical music field – arguably the one with the highest barriers to entry – examples of success without extensive, expensive training exist. When will we stop making excuses and start learning, regardless of the obstacles? When will we help eliminate some of those obstacles?

As PTMs (Part Time Musicians), we bear some responsibility for that. How can we help kids learn? How can we make the world just a bit better? Volunteering to teach, helping with ensembles and events, collecting used instruments, fixing donated instruments – these are only a few ideas, and there are many more.

The important thing is to get involved! Our kids’ brains depend upon it. :-D

Keep playing,
Mark

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Learn music and learn everything better

Let’s reach into the news pile and check out something that ought to make anyone who plays an instrument feel just a bit smarter.

I just ran across an article entitled How music training boosts learning and wanted to share it. Findings like this, while possibly a bit self-congratulating, ought to remind us (and those we ask to support the arts and arts education) of the far-reaching value of music training. To quote the article:

“The brain is unable to process all of the available sensory information from second to second, and thus must selectively enhance what is relevant,” Nature quoted Kraus as saying.

Playing an instrument primes the brain to choose what is relevant in a complex process that may involve reading or remembering a score, timing issues and coordination with other musicians.

And that’s only a teaser.  :-)

Just some food for thought to make your day. Now, pull out that axe and practice, encourage your kids and/or spouse to practice, or volunteer with a youth music group. Better yet, do all three! After all, it’s up to all of us to do all we can to make the world just a little smarter…  ;-)

Keep playing,
Mark

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Keeping it fresh: learning a new instrument

If you’re feeling a bit stale in your musical explorations, here’s an idea to spice things up: pick up a new instrument.

No, I’m not talking about expanding your collection of axes with “yet-another-one-of-a-kind” that differs from your others only by serial number or label year and puts you on the outs with your spouse…not that I would know anything about that.  :-)  I’m talking about a different instrument.

Our friends over at Making Music Magazine – one of your PartTimeMusician.com ad partners! – published this article pointing out how picking up a second instrument that is related to one you already know can expand your horizons and breathe new life into your music. It’s well worth the read.

A word of caution from someone who is a multi-instrumentalist, though: take care not to spread yourself too thin. The old expression “jack of all trades and master of none” was coined for a reason, and trying to do too many things often results in doing nothing well. If you feel yourself getting discouraged with your progress on either instrument, refocus…and remind yourself that it’s all good.

Taking up a second instrument can indeed broaden your horizons and rejuvenate your music-making, and choosing an instrument similar to one you already know allows you to apply your growth to both. If you’re stuck in a rut on your musical path, consider branching out with a second instrument. You just might rediscover what made you fall in love with playing music in the first place.

All the best,
Mark

P.S. – If you’re a multi-instrumentalist already or are considering becoming one, please leave a comment below or drop us a line; we’d love to hear your thoughts. The more we (all) share, the more we (all) know!

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Church Music Resources for Part-Time Musicians

When I received this review of the Lifeway Worship Project from long-time friend and PartTimeMusician.com contributor Steve Hamrick, I knew several of our readers would love to see it. If you play music in church on a regular basis, or even on special occasions, this could be a great help. Resources like this enable us prepare better, play better, and generally make life better for musician and listener alike.  :-)  Steve, thank you for passing this along!

Keep playing,
Mark

Bass In Church

Church Music Resources
A Review of the Lifeway Worship Project

Many of the readers of PartTimeMusician.com are involved with music in some church-related capacity.  Regardless of denomination and size of church, there are many challenges we all share in finding new, reasonably-priced musical resources for our church programs.  Serving as a worship minister for many years in the local church and for the past several years as a state music director for a major evangelical denomination has given me an opportunity to see the struggles of churches in finding things like new hymns, praise songs, instrumental accompaniments, accompaniment tracks, and new choir music.  While there are many publishing companies that provide quarterly resources through choral clubs, I haven’t found they are too helpful in providing music for congregational worship. And what if you serve in a small church with no pianist or organist, or perhaps the only one who plays is sick or on vacation?  What do you do then?

I would like to tell you about a product that I have used for over a year that has helped me more than any other single resource for congregational worship, the Lifeway Worship Project. I should say that this company does not pay me nor am I representing them in this article, although I have been privileged to visit their headquarters in Nashville and know many of those who have developed this product.

It must be a real challenge for church music publishers to provide music for such a varied audience.  Some churches sing hymns, others sing contemporary praise songs, many use a blended approach while yet others prefer a southern gospel or country style of music. Church music programs are often accompanied by a full orchestra; others, a praise band, organ, piano, guitar, or perhaps they have no accompanist at all. To provide a single resource to meet these vast needs would be a seemingly impossible task.

When the Lifeway Christian Resource Company was in the process of producing a new hymnal a couple of years ago, the realization came to surface that in our digital society, a hymn book was out of date before it could even be printed. As a result, they decided that alongside the new hymnal, they would produce an online resource in which they could add new songs and arrangements as necessary.  Lifeway took on an enormous task of developing an online and hard-copy product that included arrangements of all the 650 songs in the printed hymnal plus 250 additional new songs and optional arrangements.  Here’s where it gets interesting.

Lifewayworship.com decided to not only to make the SATB arrangements of the hymnal available online, but the following parts may be downloaded a la carte: extended piano accompaniment, organ, vocals, full orchestra, individual instrumental parts, lead sheets, praise band charts, chord charts, PowerPoint files, and even Finale™ parts.  If that wasn’t cool enough, with the finest session players in Nashville, Lifeway recorded MP3′s of every song in the project. Each song can be downloaded as a listening track, a split track (accompaniment on one side and vocals on the other), or a stereo accompaniment track, sometimes in multiple keys.  The hymns are recorded with full orchestra and the praise songs are recorded with praise band instrumentation.  The accompaniment tracks are extremely helpful for soloists, small groups, or choir.   The tracks make a great option for the church with no accompanist. Lifewayworship.com decided to price their products similar to the iTunes Store®.  With no monthly membership fees, downloads range from $.10 to $1.99 each.

Wait, there’s more.  Because every soloist and worship leader doesn’t always want to perform every verse, Lifewayworship.com allows you to make a Songmap of many of the songs in the project.  A songmap allows you to make your own arrangements of the hymns and praise tunes.  Do you think an arrangement has too much repetition? Just cut out the extra parts. Need it in a lower key? Most songs are available in several keys. What is amazing is that Songmap will provide you with an accompaniment track, printed music, and even orchestral parts exactly to your specifications for your arrangement.

Another neat feature of the Lifeway Worship Project is that it saves your downloads on their database. This means that when you download a song to your computer, you will also have it stored on-line where you may access your library at anytime from any computer as long as you have internet access. Of course, there are copyright restrictions by which you must abide.  Almost all the products you can download are also available as hard copies on DVD/CD. There are also some excellent video accompaniment tracks for praise songs and hymns.  The Lifeway Worship Project also produces moving and still backgrounds for media projection software.

You can listen to every song in the project by clicking on this link. Go to the middle of the page where there is a box labeled “Play the Lifeway Worship Project,” scroll to the song you want, and hit play. You can also hear snippets of any song from the main Lifewayworship.com when you type a song in the “find and buy” box. You can also preview pdf’s of every printed arrangement before you commit to purchase anything.  Another neat feature is that in the “find and buy” box, you may also type in a subject, scripture, or author and get results of your search.  You do not pay for anything until you check out so I encourage you to experiment within the site. There is also a basic free worship planning tool called Worshipmap, and an advance worship planning tool called WorshipmapPro which has a yearly subscription.  The Lifeway site sometimes is slow and accessing it from a fast internet connection is advised.

While you will not find every hymn or praise song from every denomination, you will find over 1000 songs written in terrific arrangements to use in your church.  Sign up yourself or your church for free and then give it a try.

Steve Hamrick is a regular reader of PartTimeMusician.com and currently serves as the director of Worship and Church Music for the Illinois Baptist State Association, Springfield, Illinois. He can be reached via email or at his website.

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Review: Mel Bay’s Easiest Fiddling Book

Last month, guest contributor Michael Henderson shared his review of Clayton Haslop’s Beginner’s Circle DVD Course with the PartTimeMusician.com family. This month, Mike has generously agreed to share his first-hand account of Mel Bay’s Easiest Fiddling Book. Enjoy!

All the best,
Mark

Mel Bay's Easiest Fiddling BookMel Bay’s Easiest Fiddling Book: A Review

Mel Bay’s Easiest Fiddling Book by Craig Duncan retails for $14.95 with the CD. It contains 23 songs arranged from easiest to hardest, starting with Liza Jane and progressing to Rubber Dolly. Along the way you’ll encounter Oh Susanna, Shortnin’ Bread, Buffalo Gals, and Swing Low, Sweet Chariot. It contains fingering charts for each tune to allow beginners who do not know how to read music to begin playing immediately.

All of the tunes are arranged in 1st position and are in the keys of Amaj, Dmaj, and Gmaj. Most of the songs are in 2/4 time. None of the songs have complicated fingerings. All of them were pretty easy to play with the left hand, partly because the G string isn’t used by any of the tunes.

A couple of paragraphs in the introduction explains the scheme for the fingering charts. The charts use a shorthand notation to indicate the string to play and the finger to place for the note. The notation uses dashes to indicate a longer duration for a note. I found this approach a bit confusing at first. I had to compare the letters and numbers to the score carefully to understand it. Once I did, though, I concluded that it would likely work for a new player to find the notes. The scheme falls short of my expectations, though, because it doesn’t address the rhythm of the pieces. For example, there’s no way to capture the difference between a quarter note and a dotted quarter note.

After playing through the book, I didn’t find the choice of songs very interesting. I had high expectations because when I was looking at the book in the store, I recognized most of the songs in the book. A few of them (Swing Low, Sweet Chariot and Oh, Lord) were in my want list. Additionally, it had Oh, Susanna, Simple Gifts and Shortnin’ Bread. That made it seem like a good choice at the time. As I played through it, though, I found that most of the songs just weren’t that interesting.

My impression is that the book does not live up to the title of “easiest” and that it is not a good value. I was surprised that the author slipped accidentals into the second song in the book (Old Joe Clark). The fingering scheme has some shortcomings. The selection of songs is somewhat stale. There are a couple of songs that might have been interesting to play but overall, they’re kind of boring.

Finally, I should admit that I did not listen to the accompanying CD because I plan to return this book as soon as possible.

Michael Henderson is, in his own words, a “middle-aged adult who lives in Denver and started learning to play the violin in November of 2008″. He’s also a really decent guy. 8-) If you’d like to leave him a note, please do so in the comment box below.

This review is provided for informational purposes only; your mileage may vary. For more information on Mel Bay products, please visit the Mel Bay website.

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