Category: Ensemble

Musical Stylin’

I was sent this video by a friend (thanks, Augie!) and just had to share it. While there are various styles of music, and we typically favor one (or a few) above the rest, this group demonstrates in a fun-yet-very-impressive way that they really aren’t as far removed from each other as we might think.

I’d never actually heard of this group before, but I’m told they may have played here on a recent tour of the US. You can be sure I’ll try to catch them on their next trip across the pond!

If you get a chance to see the MozART Group – or any other live music, for that matter – by all means, do so! There is much to be said for a live performance in terms of ideas and inspiration, and it keeps the music flowing – both for the artist(s) you’re seeing and for you as well! Until then, there’s always YouTube.  :-)

Keep playing,
Mark

For more information about the MozART Group, please visit their website here: The MozART Group.

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Annoying and Alienating your Fellow Musicians

I ran across an article about musicians’ manners and had to pass it along, both for its good (anti-)advice and the humor behind it.

Our friends at Horn Matters (HM) posted a great article entitled How to Annoy and Alienate Colleagues in 11 Easy Steps. I’ve been reading Bruce Hembd’s wisdom since he ran the HornDog Blog several years ago. Bruce and his co-conspirator at HM, John Ericson, know that of which they speak…and while this article, like many on HM, are written with the full-time professional as their focus, much of this material applies in whole (or large part) to us as PTMs.

Yes, the linked article is funny…but it’s painfully so in some ways. I can attest that the same type of antics exist in the trumpet section of a community orchestra, a jazz ensemble, or an informal seisun at an Irish pub. Read it and enjoy it, by all means! But as they say, “Don’t let this happen to you!”  :-)

Be a good musician, be a good team player, and you’ll have a great time and get some great gigs. If you see yourself in any of these “11 steps”, mend your ways before it’s too late! You’ll have more fun, more opportunities, and more friends if you do.

Keep playing,
Mark

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THE Two Keys to Success in Music (and Life)!

I was chatting with a friend of mine recently and he passed along some advice so simple, yet so profound, that I felt it just had to be shared. With all of the excellent advice out there for the current or aspiring Part-Time Musician (PTM) – and I’d like to think we’ve passed along a good deal of it! – it just doesn’t get much better than this.

It’s Never Too Late to Start

However old you are now, whether 8 or 88, you’re at the perfect age to start playing an instrument. If you don’t already play the instrument you’d like to play, for Heaven’s sake, START NOW! What is holding you back…really? Fear of committing to…doing something you’ve always wanted to do? Fear of…not being very good until you’ve progressed a bit? The cost of…investing in your personal growth and fulfillment? Short of physical inability (five year old + double bass = bad idea), there is no good reason for putting it off. IT’S NEVER TOO LATE TO START PLAYING THE INSTRUMENT YOU LOVE!

Something is Better Than Nothing

We’ve written previously about “micro-sessions” for practicing (click here to see article), but to cut straight to the chase, any quality time is better than no quality time…even if it’s just a few minutes each day. You won’t get to Carnegie Hall on five minutes a day, but you could learn a few tunes over the course of a few months, work on tuning and intonation, throw in a few embellishments, and amaze just about everyone you know – including yourself – with your progress in less than a year’s time. Yes, you’ll improve faster with more time and thought invested; but begin with whatever you can and adjust as appropriate. SOMETHING REALLY IS BETTER THAN NOTHING!

These same principles apply to anything in life (fitness, learning a language, reading, etc.), but they hold special importance for us as PTMs. Remember these keys and apply them, and someday, you just might amaze yourself with what you can do.

All the best,
Mark

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Music is for sharing

Several events and discussions over the past couple of days have reminded me of an essential truth: music is truly whole only when it is shared.

Girl With GlockenspielMusic is a performing art

Unlike most visual arts, the aural arts are enjoyed while the artwork is being created. Of course there are are exceptions to both categories: the visual art of dance and the aural art component of composition spring to mind. We will discuss the impact of live vs. recorded events in a future article, but for the moment, let’s focus upon how the performance relates to the music itself.

For any newcomers to the Part-Time Musician “playing addiction”, there is nothing quite like a live performance – no matter how small or large the audience – to make you more fully appreciate your music and the impact it can have upon people’s lives. This is about you, of course; after all, you get to enjoy the benefits of your learning, growing, and playing on a daily basis! But when you share your music with others by playing for them, everyone is enriched. Those listening are transported to a world of your creating, and the gift you receive is wrapped in the giving itself. It’s hard to explain, but very real to experience.

Music is an inheritance

Last night, I visited the youth symphony for which I was, for four years, Director of String Ensembles. Watching and listening to the new Director and group, I was impressed with the talent and commitment evident in all involved. When you’re in the middle of the scramble, it can be easy to overlook that. It reminded me of how important it is to pass along your music and knowledge – whether very specific or wide-ranging, structured or just “felt” – to others.

There is an age-old struggle within most musicians, whether full- or part-time, regarding personal advancement vs. contributing to others’ advancement. This often translates to “play vs. teach” in the full-timer’s world, but it’s much more complex than that. Most musicians (or artists of any stripe, really) must strive and improve over time to be satisfied. Taking time to share what you know with others would seem to diminish that, but those who have done so know differently: sharing what you know deepens what you know. And if that isn’t enough, it challenges you to learn (and master) even more!

The Takeaway

As with most things in life, the key is balance. If you want to be the best musician you can be, be sure to incorporate opportunities to share your music and what you know about it. Music truly is a gift from which you gain most while giving.

All the best,
Mark

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Get some rhythm and hold the blues – three great reasons to use a metronome

Whether you play only for fun or for the occasional paid gig, you want to play your best. One simple way to take your playing up a notch is to establish a consistent sense of rhythm, and there is no better way to do that than with a metronome.

Music and Metronome

Metronomes are not straightjackets; they are tools, and like many other tools in your musical toolchest, they are a very cheap investment in you and your lifetime enjoyment of music. Here are three things a metronome can help you do:

1. Develop a strong sense of tempo(s)

If you’ve practiced various pieces at a particular tempo – say, 100-120 Beats Per Minute (BPM) – you’ll be able to pick up a new piece of music with that tempo marking and know pretty well the desired tempo. This is a huge help when you’re sight-reading, but it comes in handy at other times, as well…like on the night of a performance when you’re distracted or have a really bad case of nerves.  :-)

2. Be a better ensemble/section player

This goes hand-in-hand with the previous point, but it has more to do with keeping the tempo rather than establishing it. As your group/section is playing along, it’s very easy to drag or rush, depending upon any number of factors…or even drag and rush in different sections, if you’re accustomed to hearing your favorite performer/group playing it that way. But what if your favorite artist’s version differs from someone else’s? Practicing occasionally with a metronome, especially when learning a new piece, can help you establish a consistent tempo. This doesn’t restrain you; it liberates you, because now you can choose when it’s appropriate to change tempos, rather than follow the dictates of “that’s how so-and-so plays it”!

3. Master your part

One of the key ways a metronome helps you as a musician isn’t physical; it’s mental. While all of us know that we can master difficult passages by practicing them at a slower tempo, then speeding them up once we’ve worked out the kinks, our own minds often work against us, especially on selections we’ve heard before (and perhaps even played in the past). Have you ever tried to slow down the Barber of Seville? It’s hard to slow Bugs Bunny down, isn’t it?  :-)

Playing at a reduced tempo along with your metronome helps you start slow and finish slow…thus mastering that tricky passage more quickly than you might have otherwise. Once that is accomplished, a metronome allows you to increase the tempo gradually and retain the ground you just gained.

What we use

There are many good metronomes available, but we have two and can offer a few thoughts on them specifically.

If you like the look and operation of a “traditional metronome” – like the one your piano teacher or music director likely had when you were a kid – something like the Wittner mahogany metronome is a good choice. Tempo is set by sliding the weight up or down the pendulum, and the Wittner’s wind-up operation means never having to buy batteries. Well-crafted and beautiful, it’s both a metronome and a classy decoration for your home studio. Priced at around $100, it isn’t cheap…but it will likely last you a lifetime.

One of the best all-around metronomes money can buy, in my opinion, is the Korg KDM-2 Digital Metronome. It functions as a pitch tuner as well (providing a note to which to tune your instrument), but as you’d expect, it really shines as a metronome. It’s speaker can be heard over even a small group’s playing – you can use it with earphones, if you prefer – and it includes a flashing bulb on top for a visual cue as well. Tempo markings are on the front, and tempo can be set or adjusted via up/down buttons or a quick rotation of the large wheel on its face. You can even tap the button a few times to have it determine the tempo! And at less than half the price of the Wittner, it’s feature-packed and wallet-friendly. If I could only have one metronome, this would be the one.

Bottom line

Using a metronome helps you learn your parts better; it also helps you begin and play them more consistently. As a result, you’ll likely notice that it makes you a more respected member of any group(s) in which you play. There are few things more frustrating than trying to play with someone who can’t hold a tempo, and those who can “keep the beat” make playing that much more relaxed and enjoyable.

Break out your metronome tonight, or if you don’t have one yet, get one! You’ll be glad you did.

Keep playing,
Mark

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