Category: Band

Annoying and Alienating your Fellow Musicians

I ran across an article about musicians’ manners and had to pass it along, both for its good (anti-)advice and the humor behind it.

Our friends at Horn Matters (HM) posted a great article entitled How to Annoy and Alienate Colleagues in 11 Easy Steps. I’ve been reading Bruce Hembd’s wisdom since he ran the HornDog Blog several years ago. Bruce and his co-conspirator at HM, John Ericson, know that of which they speak…and while this article, like many on HM, are written with the full-time professional as their focus, much of this material applies in whole (or large part) to us as PTMs.

Yes, the linked article is funny…but it’s painfully so in some ways. I can attest that the same type of antics exist in the trumpet section of a community orchestra, a jazz ensemble, or an informal seisun at an Irish pub. Read it and enjoy it, by all means! But as they say, “Don’t let this happen to you!”  :-)

Be a good musician, be a good team player, and you’ll have a great time and get some great gigs. If you see yourself in any of these “11 steps”, mend your ways before it’s too late! You’ll have more fun, more opportunities, and more friends if you do.

Keep playing,
Mark

Share

Related Articles:

THE Two Keys to Success in Music (and Life)!

I was chatting with a friend of mine recently and he passed along some advice so simple, yet so profound, that I felt it just had to be shared. With all of the excellent advice out there for the current or aspiring Part-Time Musician (PTM) – and I’d like to think we’ve passed along a good deal of it! – it just doesn’t get much better than this.

It’s Never Too Late to Start

However old you are now, whether 8 or 88, you’re at the perfect age to start playing an instrument. If you don’t already play the instrument you’d like to play, for Heaven’s sake, START NOW! What is holding you back…really? Fear of committing to…doing something you’ve always wanted to do? Fear of…not being very good until you’ve progressed a bit? The cost of…investing in your personal growth and fulfillment? Short of physical inability (five year old + double bass = bad idea), there is no good reason for putting it off. IT’S NEVER TOO LATE TO START PLAYING THE INSTRUMENT YOU LOVE!

Something is Better Than Nothing

We’ve written previously about “micro-sessions” for practicing (click here to see article), but to cut straight to the chase, any quality time is better than no quality time…even if it’s just a few minutes each day. You won’t get to Carnegie Hall on five minutes a day, but you could learn a few tunes over the course of a few months, work on tuning and intonation, throw in a few embellishments, and amaze just about everyone you know – including yourself – with your progress in less than a year’s time. Yes, you’ll improve faster with more time and thought invested; but begin with whatever you can and adjust as appropriate. SOMETHING REALLY IS BETTER THAN NOTHING!

These same principles apply to anything in life (fitness, learning a language, reading, etc.), but they hold special importance for us as PTMs. Remember these keys and apply them, and someday, you just might amaze yourself with what you can do.

All the best,
Mark

Share

Related Articles:

What is holding you back? No, it isn’t!

The response to yesterday’s article was amazing, and the feedback mirrored my own thoughts and feelings. There are those who overcome so much to play their music…and by comparison, very little stands in our way.

Patrick Henry HughesIf yesterday’s amazing demonstration didn’t jar you into action on your instrument, perhaps this one will. PTM reader Dan Kieffer turned me onto the story of Patrick Henry Hughes, a talented and inspiring young man who has just become my hero. He and his family exemplify the values of music, love, family tragedy and triumph, and everything else that we all talk about at length, but so seldom demonstrate with any conviction. The video tells it best.

To Patrick and his family: thank you for all you do. Without even trying or intending to do so, you are an inspiration. Play on!

All the best,
Mark

Share

Related Articles:

Get some rhythm and hold the blues – three great reasons to use a metronome

Whether you play only for fun or for the occasional paid gig, you want to play your best. One simple way to take your playing up a notch is to establish a consistent sense of rhythm, and there is no better way to do that than with a metronome.

Music and Metronome

Metronomes are not straightjackets; they are tools, and like many other tools in your musical toolchest, they are a very cheap investment in you and your lifetime enjoyment of music. Here are three things a metronome can help you do:

1. Develop a strong sense of tempo(s)

If you’ve practiced various pieces at a particular tempo – say, 100-120 Beats Per Minute (BPM) – you’ll be able to pick up a new piece of music with that tempo marking and know pretty well the desired tempo. This is a huge help when you’re sight-reading, but it comes in handy at other times, as well…like on the night of a performance when you’re distracted or have a really bad case of nerves.  :-)

2. Be a better ensemble/section player

This goes hand-in-hand with the previous point, but it has more to do with keeping the tempo rather than establishing it. As your group/section is playing along, it’s very easy to drag or rush, depending upon any number of factors…or even drag and rush in different sections, if you’re accustomed to hearing your favorite performer/group playing it that way. But what if your favorite artist’s version differs from someone else’s? Practicing occasionally with a metronome, especially when learning a new piece, can help you establish a consistent tempo. This doesn’t restrain you; it liberates you, because now you can choose when it’s appropriate to change tempos, rather than follow the dictates of “that’s how so-and-so plays it”!

3. Master your part

One of the key ways a metronome helps you as a musician isn’t physical; it’s mental. While all of us know that we can master difficult passages by practicing them at a slower tempo, then speeding them up once we’ve worked out the kinks, our own minds often work against us, especially on selections we’ve heard before (and perhaps even played in the past). Have you ever tried to slow down the Barber of Seville? It’s hard to slow Bugs Bunny down, isn’t it?  :-)

Playing at a reduced tempo along with your metronome helps you start slow and finish slow…thus mastering that tricky passage more quickly than you might have otherwise. Once that is accomplished, a metronome allows you to increase the tempo gradually and retain the ground you just gained.

What we use

There are many good metronomes available, but we have two and can offer a few thoughts on them specifically.

If you like the look and operation of a “traditional metronome” – like the one your piano teacher or music director likely had when you were a kid – something like the Wittner mahogany metronome is a good choice. Tempo is set by sliding the weight up or down the pendulum, and the Wittner’s wind-up operation means never having to buy batteries. Well-crafted and beautiful, it’s both a metronome and a classy decoration for your home studio. Priced at around $100, it isn’t cheap…but it will likely last you a lifetime.

One of the best all-around metronomes money can buy, in my opinion, is the Korg KDM-2 Digital Metronome. It functions as a pitch tuner as well (providing a note to which to tune your instrument), but as you’d expect, it really shines as a metronome. It’s speaker can be heard over even a small group’s playing – you can use it with earphones, if you prefer – and it includes a flashing bulb on top for a visual cue as well. Tempo markings are on the front, and tempo can be set or adjusted via up/down buttons or a quick rotation of the large wheel on its face. You can even tap the button a few times to have it determine the tempo! And at less than half the price of the Wittner, it’s feature-packed and wallet-friendly. If I could only have one metronome, this would be the one.

Bottom line

Using a metronome helps you learn your parts better; it also helps you begin and play them more consistently. As a result, you’ll likely notice that it makes you a more respected member of any group(s) in which you play. There are few things more frustrating than trying to play with someone who can’t hold a tempo, and those who can “keep the beat” make playing that much more relaxed and enjoyable.

Break out your metronome tonight, or if you don’t have one yet, get one! You’ll be glad you did.

Keep playing,
Mark

Share

Related Articles:

PTMs as critics, or saving classical music

Yesterday’s article referred to part 1 of Ann Midgette’s piece originally printed in the Washington Post, and it provided some interesting insights into the role PTMs, or amateur musicians, play in the field of classical music. Today’s follow-on article offers Ms. Midgette’s thoughts on the role of PTMs, and the populace in general, as critics.

Lonely Violin

I have to admit to you that on my first reading, I didn’t get much out of this. But the second reading prompted several lightbulbs to go off over my head, and I’ll confess to thinking about it a great deal ever since.

I play many different types of music, but classical music has such depth and richness overall that I consider it my favorite. Overall. But to be quite honest about it (in homage to Ms. Midgette), I just don’t like modern compositions as a general rule. I’m painting with a broom here, so please grant me a bit of leeway.  :-)

There is a reason some classical compositions are considered classics, i.e. they endure and endear. Although many were considered to be a challenge to accepted standards when they were written, all of the works considered classics today have what an old friend of mine referred to as “toe tap-ability”. Simply put, the listener can tap their foot with the music as it is being performed…or walk out humming it, thinking of the great concert they just heard.

Many modern works seem to have been exercises in sound combinatorics rather than musical compositions. Many seem so focused upon showcasing the various sections of an orchestra that they forget music is performed for someone. And lest anyone think I’m advocating going “100% pop”, let me assure you that I am not…but music that is neither pleasant to play nor hear doesn’t press boundaries as much as it condemns the art form to irrelevance.

My tastes are not universal, and I’m very glad of that! What do you think? Does classical music need criticism to really thrive? Regardless of our individual tastes, should we just politely clap for it all? Continue with obligatory standing ovations? Or does that contribute to a growing detachment and/or dissatisfaction with classical music in general? Please leave us a comment with your thoughts; we’d love to hear them.

Keep playing,

Mark

Share

Related Articles: