Category: Band

What is holding you back? No, it isn’t!

The response to yesterday’s article was amazing, and the feedback mirrored my own thoughts and feelings. There are those who overcome so much to play their music…and by comparison, very little stands in our way.

Patrick Henry HughesIf yesterday’s amazing demonstration didn’t jar you into action on your instrument, perhaps this one will. PTM reader Dan Kieffer turned me onto the story of Patrick Henry Hughes, a talented and inspiring young man who has just become my hero. He and his family exemplify the values of music, love, family tragedy and triumph, and everything else that we all talk about at length, but so seldom demonstrate with any conviction. The video tells it best.

To Patrick and his family: thank you for all you do. Without even trying or intending to do so, you are an inspiration. Play on!

All the best,
Mark

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Get some rhythm and hold the blues – three great reasons to use a metronome

Whether you play only for fun or for the occasional paid gig, you want to play your best. One simple way to take your playing up a notch is to establish a consistent sense of rhythm, and there is no better way to do that than with a metronome.

Music and Metronome

Metronomes are not straightjackets; they are tools, and like many other tools in your musical toolchest, they are a very cheap investment in you and your lifetime enjoyment of music. Here are three things a metronome can help you do:

1. Develop a strong sense of tempo(s)

If you’ve practiced various pieces at a particular tempo – say, 100-120 Beats Per Minute (BPM) – you’ll be able to pick up a new piece of music with that tempo marking and know pretty well the desired tempo. This is a huge help when you’re sight-reading, but it comes in handy at other times, as well…like on the night of a performance when you’re distracted or have a really bad case of nerves.  :-)

2. Be a better ensemble/section player

This goes hand-in-hand with the previous point, but it has more to do with keeping the tempo rather than establishing it. As your group/section is playing along, it’s very easy to drag or rush, depending upon any number of factors…or even drag and rush in different sections, if you’re accustomed to hearing your favorite performer/group playing it that way. But what if your favorite artist’s version differs from someone else’s? Practicing occasionally with a metronome, especially when learning a new piece, can help you establish a consistent tempo. This doesn’t restrain you; it liberates you, because now you can choose when it’s appropriate to change tempos, rather than follow the dictates of “that’s how so-and-so plays it”!

3. Master your part

One of the key ways a metronome helps you as a musician isn’t physical; it’s mental. While all of us know that we can master difficult passages by practicing them at a slower tempo, then speeding them up once we’ve worked out the kinks, our own minds often work against us, especially on selections we’ve heard before (and perhaps even played in the past). Have you ever tried to slow down the Barber of Seville? It’s hard to slow Bugs Bunny down, isn’t it?  :-)

Playing at a reduced tempo along with your metronome helps you start slow and finish slow…thus mastering that tricky passage more quickly than you might have otherwise. Once that is accomplished, a metronome allows you to increase the tempo gradually and retain the ground you just gained.

What we use

There are many good metronomes available, but we have two and can offer a few thoughts on them specifically.

If you like the look and operation of a “traditional metronome” – like the one your piano teacher or music director likely had when you were a kid – something like the Wittner mahogany metronome is a good choice. Tempo is set by sliding the weight up or down the pendulum, and the Wittner’s wind-up operation means never having to buy batteries. Well-crafted and beautiful, it’s both a metronome and a classy decoration for your home studio. Priced at around $100, it isn’t cheap…but it will likely last you a lifetime.

One of the best all-around metronomes money can buy, in my opinion, is the Korg KDM-2 Digital Metronome. It functions as a pitch tuner as well (providing a note to which to tune your instrument), but as you’d expect, it really shines as a metronome. It’s speaker can be heard over even a small group’s playing – you can use it with earphones, if you prefer – and it includes a flashing bulb on top for a visual cue as well. Tempo markings are on the front, and tempo can be set or adjusted via up/down buttons or a quick rotation of the large wheel on its face. You can even tap the button a few times to have it determine the tempo! And at less than half the price of the Wittner, it’s feature-packed and wallet-friendly. If I could only have one metronome, this would be the one.

Bottom line

Using a metronome helps you learn your parts better; it also helps you begin and play them more consistently. As a result, you’ll likely notice that it makes you a more respected member of any group(s) in which you play. There are few things more frustrating than trying to play with someone who can’t hold a tempo, and those who can “keep the beat” make playing that much more relaxed and enjoyable.

Break out your metronome tonight, or if you don’t have one yet, get one! You’ll be glad you did.

Keep playing,
Mark

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PTMs as critics, or saving classical music

Yesterday’s article referred to part 1 of Ann Midgette’s piece originally printed in the Washington Post, and it provided some interesting insights into the role PTMs, or amateur musicians, play in the field of classical music. Today’s follow-on article offers Ms. Midgette’s thoughts on the role of PTMs, and the populace in general, as critics.

Lonely Violin

I have to admit to you that on my first reading, I didn’t get much out of this. But the second reading prompted several lightbulbs to go off over my head, and I’ll confess to thinking about it a great deal ever since.

I play many different types of music, but classical music has such depth and richness overall that I consider it my favorite. Overall. But to be quite honest about it (in homage to Ms. Midgette), I just don’t like modern compositions as a general rule. I’m painting with a broom here, so please grant me a bit of leeway.  :-)

There is a reason some classical compositions are considered classics, i.e. they endure and endear. Although many were considered to be a challenge to accepted standards when they were written, all of the works considered classics today have what an old friend of mine referred to as “toe tap-ability”. Simply put, the listener can tap their foot with the music as it is being performed…or walk out humming it, thinking of the great concert they just heard.

Many modern works seem to have been exercises in sound combinatorics rather than musical compositions. Many seem so focused upon showcasing the various sections of an orchestra that they forget music is performed for someone. And lest anyone think I’m advocating going “100% pop”, let me assure you that I am not…but music that is neither pleasant to play nor hear doesn’t press boundaries as much as it condemns the art form to irrelevance.

My tastes are not universal, and I’m very glad of that! What do you think? Does classical music need criticism to really thrive? Regardless of our individual tastes, should we just politely clap for it all? Continue with obligatory standing ovations? Or does that contribute to a growing detachment and/or dissatisfaction with classical music in general? Please leave us a comment with your thoughts; we’d love to hear them.

Keep playing,

Mark

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PTMs keep the music alive!

I knew when I read this that you’d want to read it too. PTMs – amateur musicians – have contributed so much to the vibrancy of music throughout the ages. At times when it was dangerous or impractical to be a full-time musician, PTMs also kept the dream alive.

Orchestra

This article from the Philadephia Inquirer is probably harder on FTMs than I would be – I’ve known far too many who sincerely love their “job” and experience their music to the fullest; but the author does make some excellent points. PTMs often play with more license because there is less cutthroat competition to be there in the first place. The fact that the music is a release for them, rather than a full-time occupation, certainly doesn’t hurt, either.

Whether classical music is your bag or something else, there is a lot to consider here. What do you think? Do you allow yourself to really enjoy your music? Do you think you’d enjoy it more – or less – if your paycheck depended upon it? Post a comment and let us know!

Keep playing,

Mark

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How to make a “silent” trumpet practice mute

If you play trumpet, it’s very likely that you’ve wished for a way to practice your music just like you’ll play it in your orchestra/band/ensemble/etc. without getting complaints from your family…or worse, your neighbors. Many commercial options exist to fill this need – the Brass Spa Practice Mute and Yamaha’s Silent Brass, among others. These are great products, but they carry prices ranging from $25-$160. How would you like to make something nearly as good for less than two bucks?

I’ll defer to Jim Donaldson (of Schilke Loyalist and Trumpet Gearhead fame) for the core instructions, but here is the quick take:

1. Buy a Renuzit air freshener. Be sure to pick a scent you like.

2. Enjoy it in your home for a few weeks. If you’re impatient or need your mute now, you can skip this step.

3. Open the air freshener and wash out the remaining scented material. This may require soaking if you did step 2.

4. Remove the “plug” at the top and press/drill a small hole in it.

5. Put the top and bottom together.

6. Wrap cork or weatherstripping around the top. I used weatherstripping, and it seems to hold up best if you cut the ends at an angle where they meet…like ____/  and /____.

7. Put sound-deadening material inside, if desired. I find this unnecessary, but YMMV.

8. Optionally put the “plug” in the top of the assembled mute. I have tried it both ways and leave mine out.

Since a picture is worth a thousand words, here are a couple to show the finished – and well-used – final product.

Between the air freshener and the weatherstripping, your total cost to make this “silent” practice mute comes to under $2.00. If you use the air freshener for its original purpose first, the mute is effectively free! Now, wouldn’t you rather put that money against a new mouthpiece? :-)

For any other “gearheads” out there, here is a performance comparison that shows how your new Renuzit mute stacks up against several commercially-made practice mutes. What do you think? Good enough? Leave a comment and let us know!

Keep playing,

Mark

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