Citation/ticket for bass players

As a bassist, this one was just too good to pass up. Feel free to share with your bass-playing friends, as all bassists (by nature) have great senses of humor. We have to; we hang with drummers.  ;-)

All the best,
Mark

BASS PLAYER OFFENSES

NAME OF OFFENDER – ___________________________
INFRACTION DATE – _____________________________

MUSICAL OFFENSES FINE

[ ]Playing loudly during warm up $10
[ ]Sound-checking amp with funk slapping $25
[ ]Loud cursing after mistake $10
[ ]Playing high and fast after mistake $20
[ ]Practicing 2-handed tapping between tunes $20
[ ]Asking for “E” tuning note $25
[ ]Playing E anyway when horns tune to Bb $50
[ ]Playing written-out walking line $50
[ ]Failure to play written walking line $75
[ ]Writing note names over ledger-line notes $50
[ ]Writing beat numbers under dotted figures $50
[ ]Playing eighth notes $5 each
[ ]Playing sixteenth notes $10 each
[ ]Playing above 1st octave immediate dismissal
[ ]Dragging fast tempo $75
[ ]Dragging ballad tempo $100
[ ]Blacking out during ballad $200
[ ]Ignoring drummer’s tempo $100
[ ]Following drummer’s tempo $250
[ ]Asking to borrow Real Book for All Of Me $1000

UPRIGHT PLAYERS

[ ]Showing up before first downbeat $25
[ ]Playing audibly $25
[ ]Faking changes $25
[ ]Slapping $150
[ ]Missing tutti lick, then mentioning vintage of bass $25
[ ]Excessive sweating $25
[ ]Pedal point double-stops during horn solo $50
[ ]Asking leader for a solo $30
[ ]Accepting solo when offered $50
[ ]Taking second chorus $100
[ ]Playing solo arco $400
[ ]Pretending to check tuning after playing out of tune $100
[ ]Playing “A Train” ending on every tune $200
[ ]Playing extended “A Train” ending on every tune $500

ELECTRIC PLAYERS

[ ]Checking hair between tunes $15
[ ]Experimenting with odd meters $25
[ ]Missing root at end of blistering fill $25
[ ]Playing with a pick $50
[ ]Tuning during ballad $30
[ ]Playing Jaco groove on samba $75
[ ]Playing Jaco samba groove on ballad $150
[ ]Attempting last word on final chord $50
[ ]Achieving last word on final chord $100
[ ]Long gliss down to final note $200

EQUIPMENT VIOLATIONS – ELECTRIC

[ ]Forgetting strap $10
[ ]Changing strings after every set $15
[ ]Using electric tuner $15
[ ]Setting up mic “just in case” $75
[ ]Forgetting to turn amp on $40
[ ]Bringing amp larger than 1 person can carry in 1 trip $50
[ ]Asking horn player for help moving amp $25
[ ]Bringing custom-made bass $100 per string above 4
[ ]Bringing more than 1 bass $100 per extra bass
[ ]Skull decals on bass $150
[ ]Bringing fretless bass $500

CRIMINAL BAD TASTE

[ ]Telling bone player about all the gigs you get $10
[ ]Asking bone player about their day gig $10
[ ]Sitting behind drums on break $10
[ ]Quoting “Birdland” $25
[ ]Practicing scales during break $25
[ ]Practicing scales during drum solo $50
[ ]Practicing $150
[ ]Beginning a sentence with “When I was a guitar player…” $50
[ ]Casually mentioning to Musical Director of cheap theater that you are “into sequencing” $10

BASIC STUPIDITY

[ ]Wearing old Buddy Rich tour shirt $10
[ ]Wearing new Whitesnake tour shirt $20
[ ]Asking when the rock set starts $20
[ ]Continually asking “where are we?” $25
[ ]Continually shouting “Yeah!” $25
[ ]Asking bone player where “1″ is $50
[ ]Taking cellphone call during 4′s $100

~BASS PLAYER OFFENSES~NAME OF OFFENDER – ___________________________
INFRACTION DATE – _____________________________

MUSICAL OFFENSES FINE

[ ]Playing loudly during warm up $10
[ ]Sound-checking amp with funk slapping $25
[ ]Loud cursing after mistake $10
[ ]Playing high and fast after mistake $20
[ ]Practicing 2-handed tapping between tunes $20
[ ]Asking for “E” tuning note $25
[ ]Playing E anyway when horns tune to Bb $50
[ ]Playing written-out walking line $50
[ ]Failure to play written walking line $75
[ ]Writing note names over ledger-line notes $50
[ ]Writing beat numbers under dotted figures $50
[ ]Playing eighth notes $5 each
[ ]Playing sixteenth notes $10 each
[ ]Playing above 1st octave immediate dismissal
[ ]Dragging fast tempo $75
[ ]Dragging ballad tempo $100
[ ]Blacking out during ballad $200
[ ]Ignoring drummer’s tempo $100
[ ]Following drummer’s tempo $250
[ ]Asking to borrow Real Book for All Of Me $1000

UPRIGHT PLAYERS

[ ]Showing up before first downbeat $25
[ ]Playing audibly $25
[ ]Faking changes $25
[ ]Slapping $150
[ ]Missing tutti lick, then mentioning vintage of bass $25
[ ]Excessive sweating $25
[ ]Pedal point double-stops during horn solo $50
[ ]Asking leader for a solo $30
[ ]Accepting solo when offered $50
[ ]Taking second chorus $100
[ ]Playing solo arco $400
[ ]Pretending to check tuning after playing out of tune $100
[ ]Playing “A Train” ending on every tune $200
[ ]Playing extended “A Train” ending on every tune $500

ELECTRIC PLAYERS

[ ]Checking hair between tunes $15
[ ]Experimenting with odd meters $25
[ ]Missing root at end of blistering fill $25
[ ]Playing with a pick $50
[ ]Tuning during ballad $30
[ ]Playing Jaco groove on samba $75
[ ]Playing Jaco samba groove on ballad $150
[ ]Attempting last word on final chord $50
[ ]Achieving last word on final chord $100
[ ]Long gliss down to final note $200

EQUIPMENT VIOLATIONS – ELECTRIC

[ ]Forgetting strap $10
[ ]Changing strings after every set $15
[ ]Using electric tuner $15
[ ]Setting up mic “just in case” $75
[ ]Forgetting to turn amp on $40
[ ]Bringing amp larger than 1 person can carry in 1 trip $50
[ ]Asking horn player for help moving amp $25
[ ]Bringing custom-made bass $100 per string above 4
[ ]Bringing more than 1 bass $100 per extra bass
[ ]Skull decals on bass $150
[ ]Bringing fretless bass $500

CRIMINAL BAD TASTE

[ ]Telling bone player about all the gigs you get $10
[ ]Asking bone player about their day gig $10
[ ]Sitting behind drums on break $10
[ ]Quoting “Birdland” $25
[ ]Practicing scales during break $25
[ ]Practicing scales during drum solo $50
[ ]Practicing $150
[ ]Beginning a sentence with “When I was a guitar player…” $50
[ ]Casually mentioning to Musical Director of cheap theater that you are “into sequencing” $10

BASIC STUPIDITY

[ ]Wearing old Buddy Rich tour shirt $10
[ ]Wearing new Whitesnake tour shirt $20
[ ]Asking when the rock set starts $20
[ ]Continually asking “where are we?” $25
[ ]Continually shouting “Yeah!” $25
[ ]Asking bone player where “1″ is $50
[ ]Taking cellphone call during 4′s $100

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Build Your Own Soundproof Studio

Have you ever dreamed of having your own soundproof studio? Are you willing to invest a little time and effort to make it happen? Here’s how.

This excellent article from our friends at Instructables lays out the details. Included are recommendations, explanations, and even some diagrams to clearly convey what the author means to say. With any project like this, it’s important to have enough details to do it right, without so many you get lost in the preparation. Two thumbs up on this one.

I’ll admit I’m intrigued and sorely tempted. We have a small outbuilding that I’ve long considered converting, in whole or part, to a practice room. I’m bookmarking this article so I can come back to it when time and weather permit starting a new project. Maybe, just maybe…  :-)

Have you done this? If so, what are your thoughts? Any “gotchas” are good to know before they surface, so post a comment or drop us a line!

All the best,
Mark

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From virtual musician to real musician

It wasn’t always the case, but I now believe that music video games can contribute to the Part-Time Musician’s development in some ways – and they’re a lot of fun! That last part – the fun – is what draws the vast majority of gamers to pick up Rock Band or Guitar Hero. But why should the fun stop when you shut off the game console?

It’s common sense, regardless of the activity: if you enjoy it, you’ll be more committed, you’ll do it better, and you’ll reap more benefits…which leads to deeper commitment, better performance, more benefits…well, you know where this is going.  :-)

I’ve already written about the benefits of music video games to current PTMs, but what about those who have yet to discover their longing to play real music? Don’t we all want to get others hooked on our playing addiction? Well…of course we do!

Fender's Rick Heins rocks out with the new G-DEC 3 amp

I ran across this article about some great things Fender is doing to entice new musicians into the fold and to appeal to current musicians as well. Check out these nuggets:

“Guitarists using Fender’s new $299 G-DEC 3 amplifier, on sale in April, will get the traditional boost, echo, reverb and other heavy amplified sounds. But the G-DEC 3 is also a “band in a box,” letting musicians play along with 100 music tracks in various styles created by guitarists such as Brad Paisley and Keith Urban. There’s an SD slot for adding MP3 files to the amp.”

“Fender just launched ejamming.com, a site where guitarists can plug into the Net and jam with musicians around the world. The site features free downloadable software that allows musicians to connect. The music can be recorded and saved. There’s a one-month free trial and $9.99 a month subscription.”

I’m excited enough about these developments to give ejamming.com a try myself, and if anyone has any connections at Fender, I’d be more than willing to do a review of the G-DEC 3…so put me in touch, please! 8-)

What do you think? While these developments can’t fully replace a live, in-person jam session, they certainly could help keep one driving toward their musical goals with a smile. Interested? Leave a comment! We’d love to hear from you.

Keep playing,
Mark

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PTMs in the news: “passion players” in the UK

I will not denigrate Full-Time Musicians (FTMs) by saying that they play without feeling; I also won’t denigrate Part-Time Musicians (PTMs) by saying that “what we lack in ability we make up with enthusiasm”. Each idea can true or false at an individual level only. But – and you knew there had to be a “but”! – there is something to be said for the feelings that are stirred in someone for whom playing music is an obsession rather than a profession.

This article in the Guardian covers it very nicely. Here’s a small taste:

“Some friends and I started a Sunday evening chamber group – sometimes it’s a quartet, sometimes a piano quintet, sometimes a sextet. Some of the time we sound pretty ropey. But once in a while, something amazing happens: the endless complexity of those threads of Brahms, Schumann or Schubert come together and our individual lines become one. It’s almost embarrassing to use the word, in our cynical times, that best describes this feeling: joy.”

I can barely begin to describe how well this hits home, and I suspect you feel the same way. At various times, I have played in the following configurations:

  • Small, mixed-instrument ensemble
  • Unaccompanied solo
  • Piano-accompanied solo
  • Small band
  • Full orchestra
  • Dixieland jazz combo
  • Brass choir

While I have my preferences (which can change based upon the instrument I’m playing and my mood at the time!), all are richly rewarding and provide me with the deep satisfaction that playing good music provides. How can you play and not be touched by it?!?

If you have a story you’d like to share, please post a comment (below) or drop us a line; we’d love to hear about it! In the meantime, take some “artistic license” and play your music like the addiction it is. What can they do? Fire you?  :-)

All the best,
Mark

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Fun with music: a classic(al) cinema moment!

Most musicians know that classical music and the big screen can be merged with great success; in fact, most great movies have great scores, and many would consider it a requirement!

Say what??!?!

The following video from musicians and comedians extraordinaire Igudesman and Joo demonstrates just how complementary these two art forms are. Without further ado, I give you Wolfgang Amadeus Mozart and James Bond…together at last.  8-)

Watching these two is a good reminder of just how much fun music can be. Enjoy!

All the best,
Mark

P.S. – For more Igudesman and Joo, please visit their official website!

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